\paperw4260 \margr0\margl0 \plain \fs20 \f1 The presence of St. Benedict and St. Quentin in this painting is explained by the fact that it was commissioned for the high altar of
the church annexed to the Benedictine monastery of San Quintino in Parma.\par
It is one of the highest achievements of Francesco Marmitta, an Emilian artist who is known chiefly for his miniatures.